That bridge
was a New York watershed
for Crane,
an image both private
and public
that determined his legacy.
Watersheds
are like that. They stem
from images
so ordinary, so likely
to be
dismissed by others,
so random in
the scheme things.
Until the
pen pulls them out
of the
riffraff of sights and sounds,
the bell jar
that separates their sample
for closer
examination, the probe
of penciled
dissection and brooding.
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