The flowing dress, flowered print--
cross
between cloister habit
and
Hawaiian muumuu--
she wore with socks and trainers
set her
apart from all the rest.
A bag lady
with a distinctive style,
her hair cropped and straight.
Hard to
recognize the Bennington
coed or the
monastic oblate
in the ordinary comfort of someone
barely
noticed on the street.
Yet, her
disarming insight
controlled her audience, made each one
feel
somehow like her best friend.
With candor
and objectivity
she explored her struggle with acedia,
her
acceptance of life circumstances
she couldn't/wouldn't change.
she couldn't/wouldn't change.
We saw Hawaii through her eyes,
eyes primed by viewing roses
eyes primed by viewing roses
among the scrap in Elizabeth.
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